Module Details
Module Code: |
VIDE H3601 |
Module Title:
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Cinematography and Post Production
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Title:
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Cinematography and Post Production
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Module Level:: |
7 |
Module Coordinator: |
Cathal Nolan
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Module Author:: |
Eamonn Clery
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Module Description: |
An advancement of the skills and knowledge acquired in Single Camera Video Production, this module will develop the students understanding of cinematography. In post production, students technical abilities and capacity to visualise and construct narratives in the edit room will be enhanced. Abilities in preproduction will be advanced through group work on projects.
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Learning Outcomes |
On successful completion of this module the learner will be able to: |
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Learning Outcome Description |
LO1 |
Advanced skills in cinematography, audio production, and post production, as demonstrated through both individual and team work in the creation of higher quality video productions. |
LO2 |
The ability to understand deeper concepts regarding the thought processes behind cinematography and then critically assess various productions based on these theories. |
LO3 |
Ability to do reconnaissance work, risk assessments, and map out locations with a view to develop a shooting, lighting, and audio plan that will best suit the production at hand. |
LO4 |
Ability to edit together a coherent production that includes extra media from different sources such as still images and graphics. |
LO5 |
Critically evaluate their own media roles and skills in the wider context of production via personal evaluation, project presentation, and screenings. |
Dependencies |
Module Recommendations
This is prior learning (or a practical skill) that is recommended before enrolment in this module.
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No recommendations listed |
Co-requisite Modules
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No Co-requisite modules listed |
Additional Requisite Information
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No Co Requisites listed
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Indicative Content |
Cinemtography
Building on the skills learned in Single Camera Video Production this module will delve deeper into the concepts and theories that deal separates cinematography from standard camera operation.
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Postproduction
This is an advancement of the technical skills and knowhow regarding editing software. The students will get a greater understanding of what it is to build a specific sequence of shots to convey a certain meaning to the audience.
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Pre-production
Productions will be shot off-campus with outsourced actors, meaning there will be a strong need for higher pre-production skills. Locations need to be secured, talent screen tested, risk assessments completed etc.
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Audio Production
An advanced ability to record dialogue, atmospheric audio, and foley in order to mix together a more professional soundscape.
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Critical Evaluation
Students cognitively learn from assessing their productions and their role within through reflective, critical analysis. Learning outcomes must be discussed and an awareness of what should be done in future will be flagged by students.
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Module Content & Assessment
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Assessment Breakdown | % |
Continuous Assessment | 10.00% |
Project | 60.00% |
Practical | 30.00% |
AssessmentsFull Time
No End of Module Formal Examination |
Reassessment Requirement |
Coursework Only
This module is reassessed solely on the basis of re-submitted coursework. There is no repeat written examination.
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SETU Carlow Campus reserves the right to alter the nature and timings of assessment
Module Workload
Workload: Full Time |
Workload Type |
Workload Category |
Contact Type |
Workload Description |
Frequency |
Average Weekly Learner Workload |
Hours |
Lecture |
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Contact |
Through formal lectures, screenings and discussions students will learn about the theory side of cinematography, and what separates this from basic camera operation. |
Every Week |
1.00 |
1 |
Practicals |
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Contact |
Through practical lectures and project work students will put into practice the concepts behind cinematography. Abilities to construct a narrative through post production will be enhanced. |
Every Week |
5.00 |
5 |
Independent Learning Time |
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Non Contact |
Students may be required to complete asynchronous learning on an ongoing basis. |
Every Week |
1.00 |
1 |
Total Weekly Contact Hours |
6.00 |
Module Resources
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Recommended Book Resources |
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Blain Brown. Cinematography: Theory and Practice, [ISBN: 9781138940925].
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Blain Brown. (2008), Motion Picture and Video Lighting, Taylor & Francis, p.254, [ISBN: 0240807634].
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Karen Pearlman. (2009), Cutting Rhythms, Focal Press, p.269, [ISBN: 0240810147].
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Bryan Castle. Media Composer 7, [ISBN: 1936121638].
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Ric Viers. The Location Sound Bible, [ISBN: 1615931201].
| Supplementary Book Resources |
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Linda J. Cowgill. (2005), Writing Short Films, Lone Eagle Publishing Company, p.256, [ISBN: 1580650635].
| This module does not have any article/paper resources |
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This module does not have any other resources |
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