Module Details

Module Code: VISU C1703
Module Title: Visual Studies - Notebook Research
Title: Visual Studies - Notebook Research
Module Level:: 6
Credits:: 5
Module Coordinator: Janette Davies
Module Author:: Ciara Healy Musson
Domains:  
Module Description: The module aims to stress the importance of the dynamics of visual form in Art and Design through notebook development and research and its role in the development of the student’s creative practice. Emphasis is on visual research, observation and recording as well as visual and analytical investigation/curiosity. The projects are tutor led. Students are expected to attend and participate in all the formal timetabled sessions for the subject. Students are also expected to manage their directed learning and independent study in support of the subject and project aims.

Subject aims: • To explore a variety of note making, visual research and drawing skills, observational and recording processes as a means of visual creative thinking. • To investigate and develop the basic principles and skills of idea formation • To explore the link between drawing and mind mapping • To instill an attitude of experimentation, risk taking and investigation, enabling students to understand the creative possibilities at their disposal. • To equip students with the confidence and the ability to respond to problem solving and visual investigation • To express themselves creatively through visual form.
 
Learning Outcomes
On successful completion of this module the learner will be able to:
# Learning Outcome Description
LO1 Be able to present Notebook work that shows comprehensive compiling of visual research in drawing, recording, collecting and mind mapping in response to project briefs and problem solving, Be able to present research notebooks with examples of artist’s and designer’s work with personal notes, Have an understanding of the relationship of form and content by integrating skills and ideas, personal interests, influences and inspiration, quoting research and art & design theory in project work, Using materials in a strategic manner to communicate abstract ideas, Identifying themes and art & design movements and being able to explain their intention
LO2 Be able to express reflective and personal responses, communicating their ideas in a tutorials, making various presentation strategies of their work for assessment, discussing their work in a group, participating in self-assessment, producing work that meets requirements of a project brief and matches students own personal interests and visual creative thinking
LO3 Be able to learn to identify learning needs and assist others in the shared learning environment by participating in self- assessment, demonstrating problem-solving skills, Identifying learning gaps and seeking tutor support, Sharing research material, pooling information, forming discussion groups.
Dependencies
Module Recommendations

This is prior learning (or a practical skill) that is recommended before enrolment in this module.

No recommendations listed
Co-requisite Modules
No Co-requisite modules listed
Additional Requisite Information
No Co Requisites listed
 
Indicative Content
NOTEBOOK/RESEARCH PROJECTS
Delivered during one day per week throughout Semester one. Problem solving and visual investigative briefs are set to engage, visual research, visual experiments, personal reflection, recording & collecting as well as visual & analytical aids to developing ideas, investigation and curiosity. Idea storming, mind maps and café style group discussion are used to support the development of the student’s creative practice. Students present their research notebooks with examples of artist’s and designer’s work with personal notes accompanying their research visual experiments.
PROJECT 1: OBJECTS AND MEMORIES
DURATION: 3 WEEKS; ASSESSMENT: SUMMATIVE; In this first notebook project supported by slide talk and introduction, students are asked to use their notebooks as a tool in developing ideas. Students are asked to produce multiple pages in their notebooks in response to: 5 words associated with Memory. 5 images of objects that evoke happy or sad memories for you. 5 lines from 5 different poems associated with memory. 5 photographic images and / or drawings of environments that evoke happy memories for you. 5 colour / black and white sketches of objects you or someone you know likes to collect. 5 objects you remember using that changed your life. 5 current fashion statements that are retro, 5 words associated with Memory including how it is expressed in other languages, Look up the term nostalgia and create 5 different works of collage that are nostalgic.
PROJECT 2: METAMORPHOSIS AND OTHER WORLDS
DURATION: 3 WEEKS; ASSESSMENT: SUMMATIVE; Students are introduced to a key work, for example: The Garden of Earthly Delights by Hieronymus Bosch. They are asked to research and respond to multiple questions including why people seem to be having such good fun in it. What are they doing with the fruit? Why are some people being eaten by animals? What are cross- fertilization of Old World and New World mythologies. Why are there 3 panels? What do they mean? Enlarge a section and make a sketch, make another sketch add something ,Research the meanings of associated words and phrases,
Research books and films that look at the idea of Otherworlds, Make a list of films and books and add images of these in their notebook.
PROJECT 3: BOOK COVER
DURATION: 3 WEEKS; ASSESSMENT: SUMMATIVE; Following an introduction and presentation, students are asked to research and design a book cover comprising of text and images. They are asked multiple questions and prompts including researching 6 examples of book covers that inspire them. To think about a novel, poetry book, or text book that you really like and develop a layout for its cover using a template Make sketches in your notebook of how you might draw, illustrate or type the title of the book and the authors name and develop an image for the front of the book. Use a variety of media to make experiments and reference designers and artists that have inspired them.
PROJECT 4: FAMILIAR UNFAMILIAR
DURATION 3 WEEKS; ASSESSMENT: SUMMATIVE; Create notebook pages rich with small drawings, tiny paintings, collages, found objects and photographs of the things you encounter in your daily life. Look closely at your immediate environment and document it in your notebook. This is to amplify your perception, to encourage you to notice and find new things in your familiar environment etc. Each page of your notebook should be organised according to colour. For example, in week 1 try to document all the red objects you come across in your home/room/garden/locale. Fill a double page spread in your notebook with depictions of these objects. At the end of this project, you should have multiple, double page spreads in your notebook of small drawings / paintings / collage / photographs / found objects
Links Between History of Art and Design/Cultural Studies & Visual Stud
Where possible during the VISUAL STUDIES blocks, the history of art and design and cultural studies courses will compliment the studio briefs, relating each studio project to an historical and critical discussion. Suggested topics: • The invention of perspective. • The role of the European Avant Garde. • Modernism and Modernity. • Image and Text • The Bauhaus • Semiotics
Module Content & Assessment
Assessment Breakdown%
Continuous Assessment25.00%
Project75.00%

Assessments

Full Time

Continuous Assessment
Assessment Type Other % of Total Mark 25
Timing n/a Learning Outcomes 1,2,3
Non-marked No
Assessment Description
Each student will have a formal review interview a semester and a report and mark will be filed by the lecturer. The two reports and marks will be the basis for a summative continuous assessment mark. The review reports will be available for the students to see and the aim of the continuous assessment is to support students and identify any weak areas that could be improved on for their project briefs.
Project
Assessment Type Project % of Total Mark 75
Timing n/a Learning Outcomes 1,2,3
Non-marked No
Assessment Description
Each Project is assessed within the brief’s timeframe. Project 1 GROUP PROJECT will be a formative assessment to familiarise all students with the process of self assessment. Support material of notebooks, reflective writing, research material will be presented for assessment. Each assessment will be an opportunity for the student to focus on their work and evaluate their own progress and development. Each student must undertake an assessment of their work. Where a divergence of more than 20% between the tutors and the students notional assessment occurs, it is mandatory that a negotiated assessment mark is reached.
No Practical
No End of Module Formal Examination
Reassessment Requirement
Repeat examination
Reassessment of this module will consist of a repeat examination. It is possible that there will also be a requirement to be reassessed in a coursework element.
Reassessment Description
Marks for all projects/briefs are collected at the end of each semester. If a student fails to complete a project, re-assessment can take place if the student obtains the agreement of the tutor to submit completed work at the end of the semester. If part of a project involved group working then it is not possible to require students to submit such work and alternative assignments may have to be assigned.

SETU Carlow Campus reserves the right to alter the nature and timings of assessment

 

Module Workload

Workload: Full Time
Workload Type Workload Category Contact Type Workload Description Frequency Average Weekly Learner Workload Hours
Contact Hours Contact Contact Hours Every Week 4.00 4
Independent Learning Non Contact Studio Based Learning; Research & Studio practice Every Week 2.00 2
Total Weekly Contact Hours 4.00
 
Module Resources
Recommended Book Resources
  • Marc Treib. (2008), Drawing/Thinking: Confronting an Electronic Age: Drawing in an Electronic Age, Routledge, p.192, [ISBN: 978-041577561].
  • Dexter, E. (2005), Vitamin D New Perspectives in Drawing, London: Phaidon Press.
  • Smagula, H. J. (2002), Creative Drawing: Pages 28-29, 31-35, 41-44, 93-97, 110- 113, 173-190, Laurence King Publishing, London.
  • Edwards, B.. (1979), Drawing on the Right Side of The Brain: Pages 48-54, 72-79, Also chapters 6, 7 , 8, London: Fontana.
  • Itten Johannes. (1970), The Elements of Colour: Pages 32-36, 52-65, Van Nostrand Reinhold Co..
  • Bell, J.. (1998), What Is Painting: Pages 146-151, London: Thames & Hudson.
  • Batchelor, D.. (2000), Chromaphobia: Pages 21-32, 97-101, London: Reaktion Books.
  • Berger , J.. (1972), Ways of Seeing, Reprint edition 2008. Penguin Classics, [ISBN: 978-01410357].
  • Maurice De Sausmarez. (1964), Basic Design: The Dynamics of Visual Form, 2nd Reprinted edition edition 2007. Herbert Press Ltd, [ISBN: 978-071368366].
  • Stephen McLaren. (2014), Photographers' Sketchbooks, Thames and Hudson Ltd, p.320, [ISBN: 978-050054434].
  • Alex Coles. (2007), Design and Art (Documents of Contemporary Art), Whitechapel Art Gallery, Mit Press, p.240, [ISBN: 978-085488153].
  • Dennis Puhalla. (2011), Design Elements, Form & Space, Rockport Publishers, p.168, [ISBN: 9781592537006].
Supplementary Book Resources
  • Hughes, R.. (1999), The Shock of The New London, Thames & Hudson.
  • Gombrich, E.H. (1999), The Image and The Eye, London: Phaidon.
  • Harrison Wood Graiger (eds.). Art in Theory 1815 – 1900, London: Blackwell.
  • John Gage. (2000), Colour and Meaning: Art, Science and Symbolism, Thames and Hudson, p.320, [ISBN: 978-050028215].
This module does not have any article/paper resources
Other Resources
Discussion Note: