Module Details

Module Code: VIDE H3601
Module Title: Cinematography and Post Production
Title: Cinematography and Post Production
Module Level:: 7
Credits:: 10
Module Coordinator: Cathal Nolan
Module Author:: Eamonn Clery
Domains:  
Module Description: An advancement of the skills and knowledge acquired in Single Camera Video Production, this module will develop the students understanding of cinematography. In post production, students technical abilities and capacity to visualise and construct narratives in the edit room will be enhanced. Abilities in preproduction will be advanced through group work on projects.
 
Learning Outcomes
On successful completion of this module the learner will be able to:
# Learning Outcome Description
LO1 Advanced skills in cinematography, audio production, and post production, as demonstrated through both individual and team work in the creation of higher quality video productions.
LO2 The ability to understand deeper concepts regarding the thought processes behind cinematography and then critically assess various productions based on these theories.
LO3 Ability to do reconnaissance work, risk assessments, and map out locations with a view to develop a shooting, lighting, and audio plan that will best suit the production at hand.
LO4 Ability to edit together a coherent production that includes extra media from different sources such as still images and graphics.
LO5 Critically evaluate their own media roles and skills in the wider context of production via personal evaluation, project presentation, and screenings.
Dependencies
Module Recommendations

This is prior learning (or a practical skill) that is recommended before enrolment in this module.
No recommendations listed
Co-requisite Modules
No Co-requisite modules listed
Additional Requisite Information
No Co Requisites listed
 
Indicative Content
Cinemtography
Building on the skills learned in Single Camera Video Production this module will delve deeper into the concepts and theories that deal separates cinematography from standard camera operation.
Postproduction
This is an advancement of the technical skills and knowhow regarding editing software. The students will get a greater understanding of what it is to build a specific sequence of shots to convey a certain meaning to the audience.
Pre-production
Productions will be shot off-campus with outsourced actors, meaning there will be a strong need for higher pre-production skills. Locations need to be secured, talent screen tested, risk assessments completed etc.
Audio Production
An advanced ability to record dialogue, atmospheric audio, and foley in order to mix together a more professional soundscape.
Critical Evaluation
Students cognitively learn from assessing their productions and their role within through reflective, critical analysis. Learning outcomes must be discussed and an awareness of what should be done in future will be flagged by students.
Module Content & Assessment
Assessment Breakdown%
Continuous Assessment10.00%
Project60.00%
Practical30.00%

Assessments

Full Time

Continuous Assessment
Assessment Type Short Answer Questions % of Total Mark 10
Timing n/a Learning Outcomes 1,4
Non-marked No
Assessment Description
Students may be asked to do a short answer assessment, or deliver a presentation, relating to the theory covered in class that relates to cinematography.
Assessment Type Project % of Total Mark 30
Timing n/a Learning Outcomes 1,3,4
Non-marked No
Assessment Description
In order to demonstrate advanced proficiency with camera equipment and editing software, students will be required to shoot and edit a video within a given amount of time. Abilities with regard to application of practical skills will be monitored and graded accordingly.
Project
Assessment Type Project % of Total Mark 60
Timing n/a Learning Outcomes 1,2,3,4,5
Non-marked No
Assessment Description
Groups will be required to produce video content for a specified audience that display various skills in cinematography and post production. Abilities in preproduction will be advanced and a production folder will be submitted containing all the relevant paperwork. They will also learn through reflective critical evaluation of their own role and the production as a whole. As directed by the lecturer, the students may submit this as paperwork or deliver it in presentation format.
No Practical
No End of Module Formal Examination
Reassessment Requirement
Coursework Only
This module is reassessed solely on the basis of re-submitted coursework. There is no repeat written examination.

SETU Carlow Campus reserves the right to alter the nature and timings of assessment

 

Module Workload

Workload: Full Time
Workload Type Workload Category Contact Type Workload Description Frequency Average Weekly Learner Workload Hours
Lecture Contact Through formal lectures, screenings and discussions students will learn about the theory side of cinematography, and what separates this from basic camera operation. Every Week 1.00 1
Practicals Contact Through practical lectures and project work students will put into practice the concepts behind cinematography. Abilities to construct a narrative through post production will be enhanced. Every Week 5.00 5
Independent Learning Time Non Contact Students may be required to complete asynchronous learning on an ongoing basis. Every Week 1.00 1
Total Weekly Contact Hours 6.00
 
Module Resources
Recommended Book Resources
  • Blain Brown. Cinematography: Theory and Practice, [ISBN: 9781138940925].
  • Blain Brown. (2008), Motion Picture and Video Lighting, Taylor & Francis, p.254, [ISBN: 0240807634].
  • Karen Pearlman. (2009), Cutting Rhythms, Focal Press, p.269, [ISBN: 0240810147].
  • Bryan Castle. Media Composer 7, [ISBN: 1936121638].
  • Ric Viers. The Location Sound Bible, [ISBN: 1615931201].
Supplementary Book Resources
  • Linda J. Cowgill. (2005), Writing Short Films, Lone Eagle Publishing Company, p.256, [ISBN: 1580650635].
This module does not have any article/paper resources
This module does not have any other resources
Discussion Note: